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Pinhole Photography

A selection of photographs I took with 35mm analog pinhole cameras that I made from waste materials such as matchboxes and tin can.

Once upon a time... age of love

Once Upon a Time, Age of Love is a series of photographic prints produced through a bricolage (assembling) method. The series emerged after a personal experience that I once defined as a major loss. It came into being through my attempt to understand and articulate the mourning I went through: the sense of loss I felt, the unanswered questions left after the end of a relationship, and the emotions that surface when what has gone unnoticed becomes visible—anger, loneliness, grief, silence, and states of suspension that remain unexpressed.

Although rooted in a personal concern, this body of work is not limited to my own story. It also touches on the stories of women whose experiences have been disregarded by unquestioned assumptions within the collective sphere—stories that have never been recorded or have been only partially acknowledged. Their loves and losses resonate within this series. For this reason, all the images and objects gathered in the works are drawn from my personal archive, which I have built over time.

The archival elements that form the fragments of this visual narrative are repeatedly reproduced and subjected to various interventions and printing processes, undergoing both physical and organic transformations. This approach is a deliberate method for making visible, on an aesthetic level, how perceptions shaped by melancholy influence how we relate to our past, mourning, loss, memory itself, objects, the world, and ourselves.

Warsaw - the war I saw

"The War I Saw" - A Poetic Glimpse into Warsaw's Silent Sentinels

Delve into the frozen beauty of Warsaw in 2019 with "The War I Saw" photo series, an evocative exploration of analog photography captured during a chilly January. Within this captivating collection, the artist unveils a world untouched by human presence, where sculptures from the city's parks, open spaces, and cemeteries become the eloquent narrators of an untold tale.

Amidst the silent streets and varying daylight, each photograph immortalizes stillness and solitude, inviting viewers to ponder their own inner struggles. The series bears a subtle pun, humorously intertwined with the artist's personal experience during their visit.

As the artist shares their introspective journey, "There were times in my life when I thought there were wars that I would win if I resisted and even fought for it. In fact, there was no war, no trial, no victory. I didn't even have an interlocutor."

Embark on a soul-stirring voyage where silence speaks volumes and statues echo the emotions we hold within. Through the lens of "The War I Saw," explore the profound serenity of a cityscape untethered by human presence, inviting you to reflect on the battles and victories that lie within your own heart.

Connections

Connections is a series of three photos. Our quest to connect/connect with others - and with ourselves - is a comment on our disconnections, ignoring approaches.

Gentle Blues

The "Gentle Blues" photo series was created by reproducing and combining found postcards, posters, and classic pictures with back-lens manipulation techniques.

Homage

Homage series I dedicated to Inge Panneels after her death.

Traces

Plastic lens 35 mm camera and color film.

Dreams

35 mm dia positive, double exposures and projections. 

It was the end of 2010. I had just returned from a trip to Syria. Photographs taken at different times, in different places, and with different intentions had unintentionally overlapped on the same film. Despite this, their coming together revealed an unexpected harmony; the fragments were able to coexist on the same surface without excluding one another.

As an artist, most of my choices are made intuitively. I do not think it is always necessary for these choices to be explained through consciousness or logic. Yet, when looking back, it becomes apparent that this intuition carries its own internal coherence.

This state of superimposition, much like in dreams, opened up a space where the conscious and the unconscious could become visible at the same time. Through this unexpected event—serendipity—I became aware of how these intuitive choices formed a continuity over time; it felt like a resonance that quietly made itself felt.

Following this experience, double exposure entered my practice as a conscious choice. The other works in the Dreams series can be understood as attempts to recall the sensation that emerged from this initial encounter—overlapping, shifting, and seeping into one another.

Hands and Messages

The series titled "Hands and Their Messages" can be seen both as a standalone piece and as part of a larger series. This series, created by assembling found images from my personal archive, consists of three parts. I aimed to show how hands, one of the most powerful messengers in body language, symbolically represent the connections we make with one another, conveying or concealing specific messages. However, I won't hesitate to say that I think I've only come close to the surface of this.

Paradise

On the Road

This selection consists of photos taken in different cities, countries and times. There are also those that have been exhibited before and those that are shared here for the first time. All the photos in the series were taken with different machines and 35 mm film.

Poezie Bordeel

A selection of photos taken at the "Poezie Bordeel" event held in Gent Belgium in 2015. The entire selection is 35mm analog film.

Oostende

A selection of 35 mm colored films shot with different analogue machines. All photos were taken in Oostende Belgium.

Found and Told

I scanned the dia positives that came out of the box that I bought years ago while visiting the flea market, and years later when I found them at home. There was no information about who the attractors or the first owners were.


Spoilage occurred due to long periods of stay in unsuitable storage conditions, and some even had small insect corpses. I also share with you my respect for her beauty without any digital or manual intervention!

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